Byzantine & Post-Byzantine Monuments,
It is a
, with its
on a higher level and an external gallery along the northern side. The tall rectangular bell-tower is built a few meters away from the north-east corner of the church. The marble iconostasis of the church is still in its place, as well as the portable icons painted
by Theophanes, in the mid-16th century, along with the the miraculous
icon of the Virgin "Axion Esti"
The monument, which in its earliest form is dated to the 10th century, has been decorated with
by the main representative of the so-called Macedonian School, Manuel Panselinos.
Apart from the historic elements of the monument, the
cover practically every wall of the church , are undoubtedly the most brilliant
example of the Paleologean Art, around 1300, whose colours, forms and sentiments
have found their best expression in the hands of the most worthy master of the
The restoration of the monument was carried out by the Archaeological Service during the '50s and '60s, while recently the 10th Ephorate of Byzantine Antiquities completed the conservation of the wall paintings.
The church is in use for the daily worship of the monks who live in
Karyes for more than ten centuries, and it is also used for all the official ceremonies
of the Holy Community.
Byzantine & Post-Byzantine Monuments
Art & culture
- Cultural Heritage
- World Heritage Monument (UNESCO)
- On site monuments
- Churches: Middle Byzantine period, AD 610-1204
- As a monument is administered by: